After Modernism : 60's and 70's
After Modernism
The 60's & 70's
Interior design after World War II had a lot of the ideas from 1950s modernism carried into the 1960s. Events like the Festival of Britain helped spread modern design to a wider audience, and styles like Scandinavian design became really popular for their simplicity and focus on functionality. Designers during this time were experimenting with new materials like injection molded plastic and fiberglass, which made furniture more affordable and easier to produce. At the same time, there was still a strong connection to art, especially through abstract expressions. You can see this mix of art and function in pieces like Joseph Albers nesting tables, Marimekko Unikko pattern, Tulip chair, and Swan chair. A lot of interiors also started using “all-in-one systems,” where furniture and storage were combined to make spaces more efficient and streamlined.
By the 1960s and into the 1970s, design started to feel more commercial and more connected to what was happening culturally. When Terence Conran opened Habitat in 1964, it made modern design way more accessible to everyday people, not just designers or the wealthy. At the same time, the countercultural movement, especially events like the Woodstock Music and Art Festival, influenced interiors to become more expressive and less strict, with bright colors and ideas from pop art. Designers like Joe Colombo even imagined futuristic living spaces, like his Visiona 1, which showed flexible, almost space-age interiors. But by the early 1970s, modernism started to lose its dominance. The demolition of the Pruitt-Igoe demolition is often seen as the symbolic end of modernism, showing that its ideals didn’t always work in real life. After that, design began to shift toward more personal and diverse styles, moving away from the strict rules that had defined earlier modernist interiors.
There’s still a lot of nostalgia for the 1960s, especially when it comes to its music, fashion, and bold, playful design style, and you can see that influence in designers like Terence Conran, Marimekko, Verner Panton, and Pierre Paulin. The 1970s, though, haven’t really gotten the same love and are often remembered for their darker colors and heavier materials, even if that perception might change over time. Overall, both decades clearly moved away from modernism, but they didn’t really hint at just how different and unexpected design in the 1980s, especially postmodernism, was going to be.
Philip Johnson - Sheldon Art Museum - Lincoln, Nebraska 1963
Joe Colombo - Visiona 1 - Cologne, Germany 1969
Olivier Mourgue - Djinn chair and sofa, 1965
CURRENT APPLICATIONS
60's fireplace and furniture
Retro furniture from the 60's70's living room "set"70's inspired couch design
ONE STEP FURTHER
I really liked how you connected design changes to cultural events like Woodstock and the rise of Habitat! I especially liked your Bubble Chair example and personal story.
ReplyDeleteBianca,
ReplyDeleteI loved this Blog post. You really got into details of the 60's and 70's. The cultural movement going on was very important to consider. Also, I love that you have seen the Aarnio Bubble Chair. Very nice extra Credit information. 50/50 points
Bianca, personally, I have never read about the origin of the bubble chair, so it was quite interesting to read your blog with your personal opinion too.
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